Showing posts with label Robert Anton Wilson. Show all posts
Showing posts with label Robert Anton Wilson. Show all posts
Monday, March 23, 2020
2019 YEAR IN REVIEW – BLADERUNNER FIRES
FIRE! FIRE!
POUR ON WATER, POUR ON WATER
The world is on fire! Literally and figuratively. Don’t panic. The gap between the richest and poorest is growing, and seems set to keep growing, as nations continue to repeat history and vote for the toughest big-daddy they can, to protect them from foreign influences, or rather the foreign influences not paid for. Don’t panic. Often I think to myself…I’d like to retreat to a cave and sharpen my pencils, watch TV and be blissfully unaware of all the drama out there.” No, this is the last day of 2019 and we are awake.
2019, 365 days that changed the world? Much different from 2018? Hotter or richer or poorer? Here’s my round-up of things that impinged on my nervous system, balanced between events in my life and those on the world stage. 2019 was bittersweet. I could say, the world has gone to hell, but I’m all right Jack, but I try to avoid sounding like a self-centred idiot who only talks about himself and his interests. Truth, beauty, excellence and compassion are my weapons of choice. Lets burst the big pimples first. Let us not look away from the violence, but try to understand the root causes and organize together to prevent division and hatred.
To scrape the surface of the year in politics speak, from the opening play on January 1st, when right-wing fucktrumpet, Jair Bolsonaro started his unholy presidency in Brazil, and sets the worrying tone of the rise of right-wing populism across the world, ending in 2019 with Boris “Hard Right Brexit” Johnson, sweeping to victory after the dirtiest and expensive smear campaign Britain has ever seen, as if organized by United Snakes. Feb 1st, Trump signs off America from the mid-range Nuclear treaty, Putin responds with the same the next day. March 15, 51 people murdered in Christchurch, New Zealand, by a racist lunatic called Brenton. The same day, Greta Thunberg returns to Sweeden as a figurehead of a worldwide climate awareness movement. April 10th, first-ever image of a Black Hole M87 Galaxy, the first glimpse of Trump UK trade-deal. April 11th, Julian Assange arrested in London. April 21st, the Sri Lanka Terror attacks result in 500 murdered by religious extremists. April 29, Isis nut, Abu Bakr al-Baghdadi, releases footage of Sri Lanka Terror attacks, he’s clearly mentally ill but treated by the media as some kind of criminal mastermind. May 1st, Bad Vlad Putin signs the Sovereign Internet bill into law (In which he can hack British sovereignty at the source, sucks it all up, and funnel it back over to the Kremlin for the Skeksis to lap up.) May 6th, Syrian army launches ground attack on last rebel stronghold in the country. May 24th, Maybot plans shut down of her dancing queen program. June 3-5th, Trump balloon visits the UK and the Queen, cheeses with the Maybot and Boris the lapdog. June 7th, Maybot dancing queen stops dancing for Tories, a new beast is required to be born. July 17th, Netflix star, El Chapo, is sentenced to life in prison. July 24th, Boris Johnson becomes the UK prime mongrel, voted in by less than 0.4% of the UK. His lies begin in overdrive. August 3rd, mass shooting in a U.S Wallmart store leaves 23 people dead, the racist shithead shooter targeted Mexicans. August 10th, child rapist billionaire friend of Prince Andrew, Jeffery Epstein dies in jail, reports are that he killed himself? August 21st, Amazon wildfires rage as Bolsonaro does sweet fuck all. September 10th, Boris and the Tories prorogued Parliament, shutting it down in a Trump-like manner. September 20th, International climate strikes. September 24th, a British court ruled prorogued parliament was void, Boris did indeed do a Trump move. October 17th, Trump pulls U.S troops in Syria, away from helping the Syrian army, blessing Turkey to invade, all to “protect the oil”. October 19th, 1 million March in London for the second referendum on Brexit. October 27th, Trump announces that Abu Bakr al-Baghdadi is dead, killed by American weapons. October 30th, Twitter bans all political advertising worldwide. November 21st, Ben Netanyahu is indicted on charges of fraud and bribery. Nov 26th, Chilean protests, 50 protestors require prosthetic eyes after police shoot in the face. December 12th, Tories win UK general election, with Boris leading the UK into a Brexit more than half the country does not want. “Just Get On With It,” combined with “Love Actually,” spoke in volumes to the soul of English exceptionalism. Dec 18th, the orange-to-peach balloon becomes the third U.S president in history to be impeached for meddling in the 2020 elections, the least of his long litany of crimes. Dec 20th, U.S Space force founded by the orange windmill king. Wildfires continue to burn across Australia, wiping out millions of animals and their habitats, homes, and some people, leaving Sydney in a hot fog, and new highest temperatures set every week. Ian Duncan Smith, the Godfather of Universal Credit and the war on vulnerable people in the UK, is bestowed a Knighthood by the British Crown. That about sums up the UK nicely, politically speaking.
Phew, but we made it through didn’t we? First off, a toast to those who didn’t, those that passed over to the great trade-deal in the sky in 2019, in particular, Jake Black, who I had the pleasure of knowing a little bit, rest easy friend. The Zen Bastard Paul Krassner checked out, one of my all-time favourite American’s, who first published a piece of my writing (Magic Mushrooms: From Toad Slime To Ecstacy, 2003,) and was present at a most memorable mind-bending afternoon with Robert Anton Wilson in Palm Springs, 2000. Paul kept in touch with me via email whenever he could write, his contributions to the western countercultural tradition are incalculable. Know his name. Paul Krassner, R.I.P. The great Dr John, and Art Neville, both natives of New Orleans had their traditional Jazz Funerals, and full musical send-offs, or carry-ons. And the psychedelic twin of Timothy Leary turned yogi and dharma teacher, Baba Ram Dass, passed into the clear light of bliss. Rutger Hauer and Ginger Baker also left the world stage leaving behind them large bodies of excellent art. To all my friends who may have lost a family member or friend this year, may they’re memory live on eternally and their souls rest in peace. One statistic that you can’t argue with overtime is that the older you get the more dead people you know. Honour your ancestors with life-affirming actions and thinking, music, merrymaking and contemplation as you see fit, that’s my best advice for dealing with the grief of 2020 and beyond. Enough about the dead, let’s get onto some of the living critters who have set 2019 alight, and who will certainly be caught playing with matches in 2020.
First, my three to watch and study in 2020. The goodies. If you take anything away from this year in review, make it these three names: Bruce Sterling, Cory Doctorow and Alan Moore. For me, the holy trinity of the next decade, each fully capable of turning it all around, if…IF…we could be so bold and brave as to listen, compute, understand, and share that good stuff. As Douglas Rushkoff said, program or be programmed. For me, the next decade will be dominated and in the hands of those who can program, write and juggle legal facts to the degree that Cory Doctorow is capable, present design-science innovation and tech-criticism to the calibre of Bruce Sterling, and synthesize Art and Magick in the grain of Alan Moore. And so, to the villains.
My first three to watch are predictable, Trumpet Booris Pootin. The three claws of the new Tsarist Anglo American alliance, playing cold war games with their billionaire friends, foes, and who the fuck knows. But that’s obvs. Steve Bannon is a better villain to keep your eye on, he’s smarter than Trump. In the same fashion, I’d say, learn from Jacob Reece Mogg, a nasty but smart English motherfucker, if you want to fight. Boris is the distraction like Trump, in 2020 you might be fitter if you filter-out the dog whistle alt. right bait, and the pumped-up lies and bluster guaranteed to be splattered all over 2020 UK tabloids. Reading and sourcing some Mogg literature, and a study of law will be much more helpful in the long run. Watch Tommy Yaxley Lennon Robinson if you like, but there’s nothing new to learn here since early hominids leant how to use clubs, you’d be smarter watching a chocolate fudge sundae melt, look for a worthy intellectual opponent in 2020. And, perhaps learn some self defense? Find the smartest racist you can, and study them. If you want to fight, take the strongest opposing argument to your own, first. Racism, Anti-Semitism, Islamophobia, Xenophobia are all built on a logical fallacy, and categorical untruth in the first place. A part of the problem in 2019 is that many are not doing philosophy and social psychology, and such intellectual pursuits are increasingly branded lefty cultural Marxism. In 2019 a meme goes around the world seven times before a PhD. thesiskeksis footnotes on! The domain of the thick, the stupid, and the ignorant, is the domain of categories and group-think. Overemphasis on nationality and not enough emphasis on the unique individual. The fact remains movements, based on gene-pool ignorance, are founded on lies and blind-faith based thinking, the opposite of scientific – research-based thinking. The wars of the words will continue up until the Chinese written character puts a backstop on the limping 26 letters, and English crumbles away into Finnegans Wake completely.
Highlights for me this year, personally speaking on a creative tip are, editing and releasing my paper The Entourage Effect At Finnegans Wake, concerning Cannabis Terpenes, and the perfumed language of James Joyce. Visited the Island of Kos in Greece with sweet Janne, spending quality time with cats on the beach, shells on the bottom of the ocean and the Tree Of Hippocrates, and the Hippocratic oath. Opened a night of funk and jazz in for DJ Eddie Pillar, who chatted for a while and made my weekend. Played a DJ set for Red Light Radio, and 3 sessions at the Hill Street Booze Bar in the centre of Amsterdam. For Radio Free Amsterdam I recorded more than 40 one-hour shows this year and made lots of artwork for the station continuing into 2020 with brother John Sinclair. I tracked some turntable work for a new tune with Garaj Mahal, that should be coming out in 2020, we will be jamming.
2019 marks the year I studied turntable beat-juggles, and in nine months, with an average of practicing around 10 hours per month, I can hold a beat, deploy a few tricks and new techniques. I will continue the practice, and craft some ready-made routines, and make some tight tracks. Maybe I’ll get out there for battle someday. Much of the driving impetus to learn to juggle and scratch better, came from working on my novel (trans-media project) called Deep Scratch. I figured that, if I’m writing about DJ’s I should learn to do what I’m writing about, with the bonus of making soundtrack material for the trans-media project. I started filming practice sessions, and uploading them to Youtube to help gauge any progress. In 2020 I may finally land on Serato software, a decade after every other DJ went over to the digital side. It’s not cheap to get up and running. Nuff’ about me? How you doing? If you got this far your probably thinking of books and albums that you like or want to make, and perhaps you have stories you want to tell? Now is the time, publish or perish. Be bold, say it loud. “Do it now!” Try not to lose your centre fighting the world. Please, check your facts in 2020, your life may depend on it. Oh, and do art.
If you want to link with my britinternational.org ensemble join me at Patreon.com/stevefly Make your own account and I’ll support you back. Or else, create some other such community-based network of like-minded individuals, help the vulnerable, the disabled, the homeless if you can. Visit them. I’d advise occasionally stepping away from the digital mobile-screen-world and reconnecting with community and nature in equal measure. Recharge you charity next to the stream. As cliche as that may sound. You will have to compromise at some point, you will have to let go, to be able to swing and grab something new, and let go again, things in motion and motion in things. Oh, and the post-quantum superimposition revolution, coupled with Artificial General Intelligence, Internet Of Things, 5G, and the global industrial military entertainment complex is sure to deliver some, lively, stuff. You need cognitive security! Maybe Logic and Multi-Model Agnosticism are a good place to start. Start now. Bladerunner, remember the future?
I raise a toast to an independent hand-made, hand-printed 2020, of and for the people. The new art and literature and ecological innovations are here with us. Stay awake. Love all the people. I wish you good luck and happy trails, enjoy every success on the path ahead.
xx
–Steve Fly
Support Me At Patreon
www.patreon.com/stevefly
Labels: 2019, Blade Runner,
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Year In Review
Monday, June 30, 2014
Cosmic Trigger Play
Labels: 2019, Blade Runner,
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Friday, March 19, 2010
DJVJ RAW INTERACTING PROCESSING: COLDCUT
ROBERT ANTON WILSON and the DJVJ Revolution.
I dedicate this writing to Ken Campbell and the Science Fiction Theatre of Liverpool, and Ole'England, to the creative artists who use music, theatre, and multimedia inspire others to interpret and spread the wisdom and ideas of Dr. Robert Anton Wilson across all four corners of the metaphorical, toast.
Approx. three years ago, Matt Black and Mixmaster Morris spearheaded a multimedia tribute to Robert Anton Wilson held at the Royal Queen Elizabeth Festival Hall in London. This event set the vanguard for a new decade of technology and cyber-culture directed toward expanding consciousness and connecting the emergent 'hyperintelligent' social newtworks into a comprehensive praxis of edutainment.
I played a small role in this event by way of my relationship with Deepleaf productions and Maybelogic that helped link up Matt B. and Dr. Wilson for some of the exsquisite video material used in the 2.5 hour extravaganza. With some help I also managed to find an independent host for the entire show, and have been ruthlessly promoting the event since March 2007 together with other sharable RAW related projects.
Over the last three years a lot has happened for the characters involved with this show and here I hope to touch upon some of these events and build a cultural map, with Dr. Robert Anton Wilson firmly in mind.
Ken Campbell
On the 31st of August 2008 the great British writer, comedian, actor Ken Campbell passed over, the comic-glue who pulled the whole RAW tribute event together as the ring master and master of ceremonies for that evening. Not afraid to follow in RAW’s footsteps and explore the 'Chapel Perilous' of his writings; Ken preserved the biting wit and information rich satire that I find budding in RAW and that seems to me desperately missing from the popular conspiracy movement and the alternative social network revolution. Equally, if studied and carefully extracted from these great exemplary figures and their works, what might be missing can indicate the ingrediants for a new synthesis.
There have been a number of fitting tributes to the life of Ken Campbell and I hope that someday, maybe somebody will produce an equally stunning multimedia tribute to Ken, like that which was made for Bob (RAW).
Jung’s Dream & Number 223
On a personal note I, like RAW have traced most of my reasoning for being here to Jung’s dream (Page 223 of Jung’s Memories, Dreams, Reflections) situated in Liverpool, a dream that inspired the creation of the science fiction theatre Liverpool, the theatre which the ‘science fiction group inhabited’ first opened on the day Jung died (6th June, 1961) and is the theatre where John Lennon and the Beatles first sang Yellow submarine, you can read about this on page 223 of Cosmic Trigger by Dr. Wilson.
The fact that Jung called Liverpool the ‘pool’ of life may be due to this dream he had that I found of particular interest as it concerns the discovery of a swimming pool. More than approx. half of the dreams that have come to me, and I have wrestled into the waking world concern bodies of water.
I should add that I first came across the works of Robert Anton Wilson in the mid 1990’s while living in the UK and the sources of my discovery lead me to deduct that Bill Drummond and the KLF, who were the rich cultural icons carrying the RAW flame in the UK at that time, probably led to my coming across Cosmic Trigger. Bill Drummond leads back to Liverpool and 1976 when he was working briefly alongside Ken Campbell, and in the RAW tribute video describes how he first came across the book Illuminatus Trilogy!
Bill spoke of his new seventeen project and ‘no music day’ that also came up on radio show (2009) on the 'late late breakfast show' that also featured my friend John Sinclair, who admires 'Wild' Bill Drummond, which brings us by a commodious vicus of recirculation back to the JAMS. The JAMS!
Word to the wise: Bill Drummond Burns a Million Quid.
RAW attracted me to the United States in 2000 A.D and led me on a five year journey acriss-cross the United States and back to Europe (2005). In fact, the day after the Royal Tribute to RAW I flew out from London to Amsterdam and have lived here since then up to 2010. I once caught up with Matt Black and Mike Ladd andColdcut when they played the club 'Paradiso' in 2008.
When I ask myself the simple question ‘why am I here’ the best short answer is because of Jung’s dream, that Ken Campbell start's off his fantastic and perfect choice role as narrator and ring-master of the Robert Anton Wilson memorial concert.
Due to the tragic loss of the great comic 'Ken Campbell' I hope that in his memory others will research and continue his work, re-enact his plays and read his words aloud. My contributions so far are only within the synchro-mesh that surrounds Liverpool and RAW.
Coldcut and Ninjatune and Big Dada.
Since the London performance Coldcut and the constellation of artists that appear under that umbrella have produced countless ‘live’ shows, recorded and released ‘tracks’ ‘albums’ and even a conscious social green movement called energyunion, continuing their trajectory into the uncharted territory of multimedia manipulation and networked sound arts and activism.
As some of the first visual jockeys (VJ's) and inventors of the first VJ software that I am aware of: VJAMM’ Coldcut and by extension Ninjatune have been the mainstay of my case for introducing some principles and methodologies from Dr. Wilson into the new cultural infotech-sphere.
I was first attracted to Ninjatune by way of the Jazz Breaks series around 1994 and some of the early releases from Journey's by DJ’s, Luke Vibert, DJ Food, Amon Tobin and Funki Porcini. This new sound together with the emerging Bristol-bass scene, some Drum and Bass brewing from both Birmingham and Wolverhampton and the sounds of James Lavelle’s 'Mo-Wax' imprint; more or less shaped my musical cultural leaning and inspired me to aquire turntables, a mixer and start sharing tunes with others and mixing em' together in a Novel way.
One sure fire sign that Ninjatune, or somebody at Ninjatune, had a respect for RAW came when they released NINJASKINS: Ninjatune signature rolling papers that came with a wonderfully intelligent fold out package describing various terms and phrases of Ninjatune philosophy.
A local encounter with a UK Graffiti artist CHU blossomed into a collaboration with another UK graffiti artist and music producer PART2 that was released on Ninjatune’s sister label ‘Big Dada records’ that was recently featured in a UK Hip Hop exposition. The track was called Quantum Mechanix’ from the album Equalibrium by New Flesh For Old, now shortened to New Flesh.
I should point out here that this was a one off release and I was a mere guest on the album, and that I played drums on the track while turntable scratching was provided by DJ Weston. But still I carried the album to the US in 2000 AD wishing to turn on Bob to Big Dada and Ninjatune, and my own ‘superstring theory’ recording, and perhaps collaborate on something, such were my naive desires as a 23 year old kid with his head in the clouds.
RAW Moving pictures album.
After spending some time with RAW at the Prophets Conference Palm Springs and in San Francisco, I was finally invited to his home to conduct an interview on September 10th 2002.
It was here he told me about a movie project he was working on with some locals tentatively called Maybelogic, and so like a good researcher; I got in contact with 'Deepleaf productions' and soon turned them on to Matt Black and Ninjatune, and some other musical entities I thought had an affinity with RAW such as 'Kosmic Renaissance' (The Supplicants). For this linking I was generously given associate producer credits on the finished movie, plus music I mashed-up featured on the DVD menu music featuring my mentor and Garaj Mahal bassist, Kai Eckhardt.
With the kind hearted and good spirited contributions to this DVD project from many sources it turned into my dream album in some sense, a movie all about RAW with a soundtrack by Ninjatune, more or less my favourite things.
Maybe it was all wishful thinking and I had done nothing more than send an email link, but for me after this spree of good fortune I would be a tireless promoter of this movie, of the Maybelogic Academy (that sprung up in 2004 to provide online classes with RAW himself) and of Ninjatune philosophy, although by no means representing Ninjatune officially, just by playing many of their records for over sixteen years and crediting them with inspiring me to experiment with 'psychedelic' DJ sets and mixing techniques. I simply resonate with their early philosophy of Funk, Jazz, Dub and Hip Hop mashups.
Since 2007 and moving to Amsterdam my musical diet has changed dramatically once again, almost leaving behind electronic music generally to develop 'live’ music and writing projects, greatly influenced by my encounter with the giant of music, poetry, activism, and the MC5: John Sinclair.
So today in March 2010, writing about Ninjatune lacks the original spark it first struck me with in the 1990’s, before I started writing, before Internet. Back then the new 'sample' sound hypnotized me deeply, but now has morphed into tones of Sun Ra, John Cage, Jimi and Miles... I am romancing Ninja to rekindle a flame in my heart and so pulling a particular lens gell upon COLCUT: a collective of artists on the Ninjatune label (and who appear upon many other labels of the independent persuasion) that happen to feature two members that instigated the imprint in the early 1990's.
Together with Mixmaster Morris, and Juxta, Coldcut produced the Robert Anton Wilson Tribute show in London that I have picked as the centre point for this writing, and in my opinion is the most information rich multimedia event to date.
"Although the circumstances for this event were somewhat rare and the resources to reproduce such an event based on donations for the most part, I still feel it stands as an testimony to Multimedia edutainment at its most terse and best, almost fully formed in its experimental launch that night the video teaches by example how educational lectures may look and sound like over the new decade.--Matt Black."
Royaley RAW Edutainment
Although the show is 3 years old it has not picked up dust, only moonlight, and seems more relevant each day that passes, it stands as a great experimental interface between cinema, music, theatre, comedy and poetry that I feel culturally binds America, Britain and the rest of Europe and the entire World due to its shared global web presence and open source offering's.
All schools, colleges and University programs would benefit from such an interactive DJ VJ interface to present artistic interpretations of intellectual topics and biographical data.
Alan Moore.
For me Alan Moore produces consistent work that secure his place as the greatest living Britain; one of the best, a genius in fact, and a widely celebrated creative interpreter of 'art and reality engineering', buttered with RAW’s maps and recipes.
To see and hear Alan reading from ‘Masks of the Illuminati’ and his wonderfully bright ‘eulogy’ for RAW, was a heart thumping highlight of the evening in London, listening to Alan’s Northern accent made me feel at home and really proud to be British, and to be honest I don’t often get patriotic feelings like that. A propa warrior mystic Midlands monk, I rekon. He performance was alike RAW performing 'cameo' in the Black Mass scene of the Illuminatus the stage performance in Liverpool, directed by Ken Campbell 31 years previous.
And with the added ambiance of the occasion (that of the passing of Robert Anton Wilson) Alan really put five cherries on top of the Escher cake, his first words from Masks included “A watchmaker in Amsterdam...” The following morning, as I said, I flew to Amsterdam and the 'Jam in the Dam' festival to meet with the band Galactic from New Orleans.
I have a long list of thanks and wish to add some extra names to those on the E-flyer’ Matt Black, Lance Boucher, Nigel Blunt, Nick Larson, Part2, Ninjatune office staff, Juice Aleem, John Sinclair, Galactic, Mixmaster Morris, Mike Ladd, Propanon, Toby Philpott, Chu.
Steven 'Fly Agaric 23' Pratt
Amsterdam NL.
http://raw.maybeee.com/
And now for something a little different...
PART II Jung’s Dream Revisited.
A constellation of synchronicities surround a dream that Carl Jung had, twas based in Liverpool. A dream that led to Robert Anton Wilson visiting Liverpool and Ken Campbell producing the Illuminatus Stage paly and, Bill Drummond coming into orbit with the Northern renaissance, but not in that order.
John Lennon and the Beatles first performed yellow Submarine at the Cavern, also on Mathew street, Liverpool, and Jung died on the day it opened on June 6th, 1961. Please note Jung visited Lucia Joyce in Northhampton and Jung prescribed James Joyce's Finnegans Wake to the Western World as good medicine. Alan Moore writes about Lucia Joyce and the Northhampton 'Intersection points' and 'syncro-mesh'.
As a student of synchronicity, by way of RAW, best explicated in his book ‘Coincidance: A head test’ I'm somewhat familiar with this synchromesh around Carl Jung and his Liverpool based dream. And was happy when Ken Campbell reignited my interest when describing the events at the ‘Coldcut and Mixmaster Morris Tribute to RAW’ held in the Royal Festival Hall London.
Three years after that memorable occasion I have been steered back to Jung’s dream, partly due to the writing of my own dream book ‘Shannanigums Wave’ over those three years, and my continual reading and re-reading of RAW, James Joyce, my personal favourite writers whom I feel wonderfully complement one-another.
The opportunity to present my independent research in this area has arisen due to Evolver and the ‘Dream’ theme of the planned April 21st ‘Evolver Spore’ or (art and edutainment salon). I hope that in combining a mixture of RAW inspired dream content based upon a Jungian’ framework, and with a plash’ of Joyce thrown in I can capture the ‘reality’ of some dreams, and provide sharable tools for others to interpret their dreams and dream-states, or those of others.
The future congress of like-minded ‘dream’ evolvers looks to create an environment where dreams and thoughts about dreams can be shared and openly discussed. My idea for a ‘Jung’s dream’ spore here in Amsterdam is only my first thought on the matter, and I hope to share the available time and resources available so that everyone has an opportunity to interact with the group if they wish. My choice of a RAW inspired glossing of the event reflects my affiliations with the Maybelogic Academy, something else I would encourage people to bring any questions or queries about to the spore.
Two or more audio/video presentations:
- 1. Ken Campbell introducing Jung’s dream, taken from the London Raw tribute.
- 2. RAW speaking of Synchronicity and Isomorphism in Finnegans Wake
- 3. ‘Jung’s Dream’ DJ set by Fly Agaric 23
Other activities and fields of resonance include Hyperbolic Crochet, pancakes, live theatre, comedy, meditation, live music, smoking, dancing, sharing mixed and mashed media, magic truffles.
Recommended reading list:
- 1. Coincidance by Robert Anton Wilson
- 2. Mankind and His Symbols by Carl Jung
- 3. Cosmic Trigger by Robert Anton Wilson
- 4. Finnegans Wake by James Joyce.
Ken Campbell: We did it in Liverpool because Peter O'Hallaghan had come across a dream in Jung's Memories, Dreams, Reflections. The dream changed Jung's life, persuaded him to buckle down to the Unconscious for the rest of his life. Anyway, on page 223 he says something like: I was in a dark and grimy city. It was clearly Liverpool. It goes on . . . And this began to obsess Peter who was a proud Liverpoolophile. - http://www.frogboy.freeuk.com/ken.html
At O'Halligan's venue, known as the Liverpool School of Language, Music, Dream and Pun, artists became immersed in readings, performances and bizarre experiments. "It was the inspirational talking shop, where dole-queue dreamers developed their big ideas," Bill Drummond says. - http://www.guardian.co.uk/culture/2007/feb/21/europeancapitalofculture2008.liverpool
www.maybelogic.org
www.coldcut.net
www.soundphotosynthesis.com
www.blunt1.com
Robert Anton Wilson - Maybe Logic: The Lives And Ideas Of Robert Anton Wilson
Label: deepleaf productions
Catalog#: none
Format: DVD
Country: US
Released: 2003
Genre: Non-Music
Style: Interview, Political, Education, Speech
Tracklist
001 | Tuning In | |||
002 | Childhood Mysteries | |||
003 | Discordian Infallibility | |||
004 | Quantum Gamble | |||
005 | PPS Pain | |||
006 | Existential Maps | |||
007 | PPS Medicine | |||
008 | Conspiratorial Responsibility | |||
009 | Magick Science | |||
010 | Sirius Pookha | |||
011 | E-Prime | |||
012 | Green Donkey | |||
013 | Forgiveness | |||
014 | Santa Cruz Protest | |||
015 | Optimism | |||
016 | Infinite B.S. | |||
017 | End Credits |
Credits
Artwork By [Package Design] - Propane Studio
Directed By, Written-By - Lance Bauscher
Executive Producer - Timothy F.X. Finnegan
Featuring - Douglas Rushkoff , Ivan Stang , Paul Krassner , R.U. Sirius , Tom Robbins , Valerie Corral
Music By - Amon Tobin , Animals On Wheels , Boards Of Canada , Cinematic Orchestra, The , Funki Porcini , Ognen Spiroski , Pullman , Rick Walker , Supplicants, The , Tarentel
Music By [Dvd Menu] - Fly Agaric 23
Narrator - Robert Anton Wilson
Other [Associate Producers] - Amanda Dofflemyer , Fly Agaric 23 , Katherine Covell
Other [Best Boy] - Robert Anton Wilson
Other [Camera] - Amanda Dofflemyer , David Allen , Ivan Stang , Katherine Covell , Lance Bauscher , Robert Dofflemyer
Producer, Edited By, Artwork By [Designed By] - Cody McClintock , Lance Bauscher , Robert Dofflemyer
Directed By, Written-By - Lance Bauscher
Executive Producer - Timothy F.X. Finnegan
Featuring - Douglas Rushkoff , Ivan Stang , Paul Krassner , R.U. Sirius , Tom Robbins , Valerie Corral
Music By - Amon Tobin , Animals On Wheels , Boards Of Canada , Cinematic Orchestra, The , Funki Porcini , Ognen Spiroski , Pullman , Rick Walker , Supplicants, The , Tarentel
Music By [Dvd Menu] - Fly Agaric 23
Narrator - Robert Anton Wilson
Other [Associate Producers] - Amanda Dofflemyer , Fly Agaric 23 , Katherine Covell
Other [Best Boy] - Robert Anton Wilson
Other [Camera] - Amanda Dofflemyer , David Allen , Ivan Stang , Katherine Covell , Lance Bauscher , Robert Dofflemyer
Producer, Edited By, Artwork By [Designed By] - Cody McClintock , Lance Bauscher , Robert Dofflemyer
Notes
Contains over 3 hours of material including Maybe Logic feature, expanded interviews with all the featured RAW cohorts, maybe logic exercises, and original, non-simultaneously, DVD-randomized footage of the best of Pope Bob.
More info available from http://www.maybelogic.com/.Jung as a writer
By Susan Rowland
Labels: 2019, Blade Runner,
Alan Moore,
Bill Drumond,
Coldcut,
Deepleaf,
Evolver,
fly agaric 23,
Illuminatus Trilogy,
Ken Campbell,
Mixmaster Morris,
Robert Anton Wilson
Thursday, February 4, 2010
2010 watch-list #1
ONTOLOGY
HISTORICISM
SOCIOLOGY
MEDIA ECOLOGY
ECONOMICS
ECOLOGY
BIOLOGY
GENETICS
NEURO-SEMANTICS
EVOLUTION
SHAMANISM
POETRY
HISTORICISM
SOCIOLOGY
MEDIA ECOLOGY
ECONOMICS
ECOLOGY
BIOLOGY
GENETICS
NEURO-SEMANTICS
EVOLUTION
SHAMANISM
POETRY
Labels: 2019, Blade Runner,
Hakim Bey,
Robert Anton Wilson,
Terence Mckenna
Sunday, January 11, 2009
An interview with Dr. Robert Anton Wilson 2019!
Howard Hallis: Do you feel that we as a species can evolve beyond death? Is immortality possible? If it is, in what ways do you feel we would have to adjust as a society to deal with eternal life?
RAW: I think it’s worth aiming for. Maybe the only way we can do it is by transferring our consciousness into silicon chips. Maybe we can transfer our consciousness into lasers. Maybe we can find a way to have the biological body regenerating and rejuvenating itself. These are all interesting areas of speculation and there’s actual research going on that may yield some answers to this. I don’t think we should just accept death with equanimity any more than slaves accepted slavery. We should rebel against it. It’s degrading! It’s insulting! It’s painful! I think it’s one of the things we need to get rid of. If life does become eternal, I think we’re going to to have to become an interplanetary and interstellar species, because longevity will make the population crunch get even worse if we stay on one planet. With longevity looming and immortality a theoretical possibility, we’re going to have to start exploring extra planetary living. There’s so much energy/resources out there, that will quickly solve all our energy/resource problems. I think it’s a coincidence, or more than a coincidence, that interplanetary travel and longevity are dawning at about the same time.
Non-Euclidean Times. January 11th 2019.
RAW: I think it’s worth aiming for. Maybe the only way we can do it is by transferring our consciousness into silicon chips. Maybe we can transfer our consciousness into lasers. Maybe we can find a way to have the biological body regenerating and rejuvenating itself. These are all interesting areas of speculation and there’s actual research going on that may yield some answers to this. I don’t think we should just accept death with equanimity any more than slaves accepted slavery. We should rebel against it. It’s degrading! It’s insulting! It’s painful! I think it’s one of the things we need to get rid of. If life does become eternal, I think we’re going to to have to become an interplanetary and interstellar species, because longevity will make the population crunch get even worse if we stay on one planet. With longevity looming and immortality a theoretical possibility, we’re going to have to start exploring extra planetary living. There’s so much energy/resources out there, that will quickly solve all our energy/resource problems. I think it’s a coincidence, or more than a coincidence, that interplanetary travel and longevity are dawning at about the same time.
Non-Euclidean Times. January 11th 2019.
Labels: 2019, Blade Runner,
2019,
death,
life,
longevity,
Robert Anton Wilson
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